Monday, 4 March 2013
Miscellaneous Mondays: Cover Me
Back in December, we included a link to the Hawkeye Initiative in our comics recommendations post. The goal of that blog is to make apparent the ridiculous double standard in the visual representation of men and women in comics. While men are portrayed in powerful poses that emphasize their strength, women are depicted in the “sexiest” way possible. Here, “sexy” tends to translate as “improbable at best, impossible at worst, and always awkward.” The women on comic covers are rarely ready for the battle they are ostensibly fighting; it’s a wonder they can avoid evisceration or evade capture in their revealing costumes and stilettos.
Although it would be nice to think that this phenomenon was limited to comics, a quick perusal of any general bookstore will reveal that this is not the case. The worst offenders are found in the fantasy/science fiction genre, and up until recently, these covers have received far less attention than those of comics. Since January 2012, however, one man has taken it upon himself to prove that you can judge a book by its cover.
The man in the picture at the top of this post is fantasy author Jim C. Hines. He provides a real, physical demonstration of the ridiculousness of the poses prevalent on the covers of his genre’s books. To emphasize his point, he replicates these images using things such as Nerf guns in place of firearms; he is very much in the act of playing dress-up. That’s the point: none of the things on these covers are real. Neither men nor women can really pose like that, and if they could, they wouldn’t be able to hold it for very long. If they could, by some miracle, hold the pose, they certainly couldn’t move afterward. In fact, part of the fantasy may be the reader’s temporary belief in the character’s proficiency in contortion.
As Hines states, the problem is precisely that most people cannot see the bizarre nature of these covers without his intentionally awful reproductions: “The way women are portrayed is just so ridiculous, so often, you just stop seeing it... I think posing has made people see it again - you see how ridiculous it is when a 38-year-old fantasy writer is doing it.” The article is well worth a read, for Hines’ take on the issue (which he discussed on his own blog here) as well as the expert opinions of two women, the creative director for Tor Books and an advocate for diversity in the representation of women on book covers. If that doesn’t convince you, consider reading it for its mention of a study that proves that sex doesn’t always sell. What, a truism on which the whole entertainment industry is based may in fact be false? Perish the thought.
Sunday, 3 March 2013
DC Women Kicking Ass
DC Women Kicking Ass is the blog I use to get all my DC news. When I need to know how soon we’re getting a Wonder Woman movie (never), or when my favourite characters are coming back from being benched (also never), or at what point DC will finally admit that appealing to women could save the comics industry (not any time soon), I check out DCWKA. Although the blog offers a host of interesting topics and features, from a Valentine’s couples tournament to the visibility campaign that is Women Read Comics in Public Day, it is the blogger’s dogged optimism that is most appealing. To be able to keep advocating for change in an industry that sometimes seems hell-bent on maintaining the status quo is admirable; to do so in a way that makes others feel that there’s hope is downright heroic.
Saturday, 2 March 2013
Escher Girls
Escher Girls is a blog whose mission statement is “to archive and showcase the prevalence of certain ways women are depicted in illustrated pop media, specifically how women are posed, drawn, distorted, and sexualized out of context, often in ridiculous, impossible or disturbing ways that sacrifice storytelling.” In other words, it’s the blog you feel like creating every time you visit the local comic shop or the graphic novel section of a brick and mortar bookstore and see what passes for anatomical accuracy on the covers. It isolates in concise snippets of snark the disturbing attitude toward women that pervades the comics industry. It won't make you feel better about the state of comics, but it will make you laugh.
Friday, 1 March 2013
Reader Submission: She-Hulk!
To kick off our Reader Appreciation Month we have a submission from Jai (resident artist and all-around excellent person), extolling the virtues of She-Hulk:
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Art by Adi Granov. |
SHE-HULK. As Jen Walters, she's a really smart, well educated lawyer, but she's always been in the background of everything; once she gets a blood transfusion from her cousin Bruce Banner, she becomes She-Hulk - which affords her the chance to finally be the centre of attention!
I started reading She-Hulk is when there was a revival of her solo series; I bought (and still buy, when I have the money) the trades. At that point in Marvel 'verse, she was part of the Avengers. We're introduced to her through a party - a really big party - and then her waking up with a random dude the next morning. She's large and in charge and she takes every advantage of it; but the rest of the Avengers are worried it's taking a toll on her Superhero-ing. So they tell her they're worried about her, and think she should take some time off. The dude she was sleeping with tells her she's shallow. (He's an underwear model.)
Around the same time, she gets an offer at a Law firm - apparently one of the best in New York. So, given the suggestions of her teammates and this new opportunity, she decides to go for it. But there's a catch: she can't do it as She-Hulk. She has to do it as Jen.
For the most part that's played super well - it's about her learning to have confidence in herself and her awesomeness and the fact that she's a really good lawyer, even when she's not this super hot super strong super hero babe.
To top it all off, the law firm she ends up working for has a specific division of its company they want her for: the Super Human Law division. Where people who've just gained super-human powers can sue the companies that left the radioactive waste just out and about. Or villains can sue heroes for excessive force. It's pretty great, and doesn't take itself too seriously at all. The best story in the first trade (I think it's in the first trade) is when Spider-Man decides to sue J. Jonah Jameson for slander. Jameson eventually ends up saying "Well, shouldn't you be including Peter Parker in on this?! He's the one who sells me the photos!" And so Spider-Man (who is Peter Parker, of course) can't realistically say "Nah I don't wanna sue that guy, just you," without giving a really good reason. So he settles out of court.
What they end up settling on?
J. Jonah Jameson and Peter Parker have to stand right outside the Daily Bugle offices holding signs saying (I think) “I'm Sorry” and handing out leaflets about how they were wrong.
While wearing Chicken Suits.
The series does have its serious spots, as well, but overall it's a super well crafted fun romp with a really strong female lead learning to love herself FOR HERSELF and no one else, it's got lovable background characters who have character arcs of their own, the stories and well written, the art is great... All in all, I'm pretty in love with it.
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